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Archive RACARRACAR - Revue d’art canadienne/Canadian Art Review Vol. XXXI 1-2 2006 Papers from the 31st International Congress of the Comité international d’histoire de l’art (CIHA) August 23 – 27 2004 Montréal / Communications présentées au XXXI ième Congrès international du Comité international d’histoire de l’art (CIHA) à Montréal, du 23 – 27 août 2004 Published in April 2007 Sommaire/Contents Editors’ Introduction/Mot des rédacteurs Béton et utopie avant 1914: architecture et <<moule social>> LAURENT BARIDON Law or Independence – What Does the Frame Stand For ? VERA BEYER Archéologie de l’oeuvre Net art: une esthétique du fragment JEAN-PAUL FOURMENTRAUX From Flatness to Space and Back Again: Concepts of Representation in the Work of Gerhard Richter and Sigmar Polke JULIE GELSHORN The Virtual Memorial: Temporality, Interactivity and the Internet ANNIE GÉRIN Photographie et cinéma chez Henri Focillon: illustrer, sérier, diffuser et enseigner. Le renouvellement d’une discipline COLIN LEMOINE Modernist Ultimate Thule RHODRI WINDSOR LISCOMBE Le corps sans limites ou l’acéphalité; le personnage d’Acéphale, secret et équivoque, dans les oeuvres des artistes autour du Collège de Sociologie CAMILLE MORANDO Mirror Reflections: Robert Smithson’s Dialectical Concept of Space JOHANNES STŰCKELBERGER Livres/Books Indri Kais McEwen, Vitruvius: Writing the Body of Architecture Reviewed by BARBARA ARCISZEWSKA Louis Kaplan, American Exposures; and Martha Langford, ed., Image and Imagination Reviewed by MATTHEW BROWER Alice Goldfarb Marquis, Art Czar, The Rise and Fall of Clement Greenberg Reviewed by KEN CARPENTER Stephen J. Campbell and Stephen J. Milner, eds, Artistic Exchange and Cultural Translation in the Italian Renaissance City Reviewed by CATHERINE HARDING Kristen Frederickson and Sarah E. Webb, eds, Singular Women: Writing the Artist Reviewed by JANICE HELLAND Glenn Peers, Sacred Shock, Framing Visual Experience in Byzantium Reviewed by LESLEY JESSOP Virginia Nixon, Mary’s Mother: St Anne in Late Medieval Europe Reviewed by CHRISTINE KRALIK Madeleine Landry et Robert Derome, L’art sacré en Amérique française. Le trésor de la Côte-de-Beaupré Reviewed by JEAN TRUDEL RACAR - Revue d’art canadienne/Canadian Art Review Vol. XXX 1-2 2005 The Portrait Issue/La question du portrait Published in July 2006 Sommaire/Contents Editors’ Introduction/Mot des rédacteurs A New Portrait Gallery for Canada: Stacking or Unpacking a National Narrative LILLY KOLTUN Sur/Rendering Her Image: The Unknowable Harriet Tubman CHANTAL N. GIBSON and MONIQUE SILVERMAN Portrait of a Globalized Canadian: Ken Lum’s There Is No Place Like Home CYNTHIA FOO Catherine de Médicis (1519-1589) et le portrait: esquisse d’une collection royale au féminin CHANTAL TURBIDE L’Intéret et les limites de la recherche sur l’art de la miniature au Canada. La collection de Bibliothèque et Archives Canada ANNE-ELISABETH VALLÉE (Re)viewing Whistler and Sargent: portraiture at the fin-de-siècle MEAGHAN CLARKE Miniature objects of Cultural Covenant: Portraits and First Nations Sitters in British North America KRISTINA HUNEAULT Leaders, Legends and Felons: negotiating portraiture, from veneration to vandalism ANGELA CARR Collaboration spéciale/Keynote Paper What Lies Beyond the Slide Library? Facing the Digital Future of Art History SARAH PARSONS Livres/Books Lori Pauli, Manufactured Landscapes: The Photographs of Edward Burtynsky, with essays by Mark Haworth-Booth and Kenneth Baker and an interview by Michael Torosian Reviewed by SARAH BASSNETT Sylvia Lavin, Form Follows Libido: Architecture and Richard Neutra in a Psychoanalytic Culture Reviewed by KEITH BRESNAHAN Heather Dawkins, The Nude in French Art and Culture, 1870-1910 Reviewed by JOHN POTVIN Steven Harris, Surrealist Art and Thought in the 1930s: Art, Politics, and the Psyche; and Johanna Malt, Obscure Objects of Desire: Surrealism, Fetishism, and Politics Reviewed by LINDA STEER Michael W. Cole, Cellini and the Principles of Sculpture; Margaret A. Gallucci, Benvenuto Cellini, Sexuality, Masculinity and Artistic Identiry in Renaissance Italy; and Alessandro Nova and Anna Schreurs, eds, Benvenuto Cellini. Kunst and Kunsttheorie im 16 Jahrhundert Reviewed by GWENDOLYN TROTTEIN Tanya Mars and Johanna Householder, eds. Caught in the Act: an anthology of performance art by Canadian women. Reviewed by JESSICA WYMAN RACAR - Revue d’art canadienne/Canadian Art Review Vol. XXIX 1-2 2004 Published in August 2005 Sommaire/Contents Riegl, Hegel, Kunstwollen, and the Weltgeist ALLISTER NEHER Slippery Talk of Parliament’s Architecture: Canadian, Canadian British, or Anglo-American? CHRISTOPHER A. THOMAS Exhibiting Ireland: The Donegal Industrial Fund in London and Chicago JANICE HELLAND L’avènement de l’art naïf en Haïti: La Portée instauratrice d’un jugement esthétique CARLO AVIERL CÉLIUS Le narrateur dans l’image. Analyse comparative d’une photographie de Jeff Wall et d’un texte de Walter Benjamin MARIE FRASER Note/Note Patronage at the Court of Burgundy around 1500: a Note on the Death of St. Nicholas Window in the Royal Ontario Museum ARIANE ISLER-DE JONGH Livres/Books Andrew Hemingway, Artists on the Left: American Artists and the Communist Movement Reviewed by Pamela Allara Joan B. Landes, Visualizing the Nation: Gender, Representation, and the Revolution in Eighteenth-Century France Reviewed by Vivian Cameron Rose Marie San Juan, Rome: a City Out of Print Reviewed by Erin J. Campbell Christopher A. Thomas, The Lincoln Memorial & American Life Reviewed by Angela Carr Kristina Huneault, Difficult Subjects: Working Women and Visual Culture, Britain 1880 – 1914 Reviewed by Julie F. Codell Philip Jacks and William Caferro, The Spinelli of Florence: Fortunes of a Renaissance Merchant Family Reviewed by Cathleen Hoeniger J. Philip McAleer, Rochester Cathedral, 604 – 1540: An Architectural History Reviewed by Malcolm Thurlby Carol Gibson-Wood, Jonathan Richardson: Art Theorist of the English Enlightenment Reviewed by Catherine Tite Lawrence Gowing, Vermeer Reviewed by Angela Vanhaelen Kathy E. Zimon, Alberta Society of Artists, the first Seventy Years Reviewed by Anne Whitelaw RACAR - Revue d’art canadienne/Canadian Art Review Vol. XXVII/2001-2003 Art History Inside and Outside the University/L’histoire de l’art à l’université et hors de l’université Guest Editor/Sous la direction de Adele Ernstrom, Emerita, Bishop’s University Published in June 2004 Sommaire/Contents Editorial Introduction: Art History Inside and Outside the University ADELE ERNSTROM Geroge Turnbull and Art History at Scottish Universities in the Eighteenth Century CAROL GIBSON-WOOD Art, History and Discipline in the Eighteenth-Century German University ANN-MARIE LINK Entering Art History in the Mid-Nineteenth Century: Félicie d’Ayzac, Anna Jameson and the Legacy of Mme de Staël ADELE ERNSTROM L’Institutionnalisation de l’histoire de l’art en France au XIX siècle LYNE THERRIEN The Academy, the Market and the Art Museums in the Repositioning of Australian Aboriginal Art DAVID DOLAN Commentaire/Commentary New Art Histories: Severing the Incestuous Relation Betweeen the Discipline and the Museum? NICOLE DUBREUIL Livres/Books Ellen Easton McLeod, In Good Hands: The Women of the Canadian Handicrafts Guild Reviewed by Sandra Alfoldy Dennis Reid and Matthew Teitelbaum, eds., Greg Curnoe: Life and Stuff Reviewed by Katie Cholette Martha Langford, Suspended Conversations: The Afterlife of Memory in Photographic Albums Reviewed by Susan Close Michael Fried, Menzel’s Realism: Art and Ebodiment in Nineteenth-Century Berlin Reviewed by Mitchell Frank Serge Trottein, ed., L’estétique naît-elle au XVIIIe siècle? Reviewed by Nicolas Gaudreau Jeffry Abt, A Museum on the Verge: A Socioeconomic History of the Detroit Institute of Arts 1882 – 2000 Reviewed by Reesa Greenberg Philip Sohm Style in the Art Theory of Early Modern Italy Reviewed by Sharon Gregory Eckhart Marchand and Alison Wright, eds., With and Without the Medici: Studies in Tuscan Art and Patronage 1434 – 1530 Reviewed by Corinne Mandel Janice Helland, Professional Women Painters in the Nineteenth-Century Scotland: Commitment, Friendship, Pleasure Reviewed by Juliette Peers Robert J. Belton, Signs of Resistance: Approaches to Canadian Visual Culture Reviewed by Ron Shuebrook Dominic Marner, St. Cuthbert: His Life and Cult in Medieval Durham Reviewed by Malcolm Thurlby RACAR .....Vol XXVII, 1-2 2000 Published in August 2003 (Publié en aout 2003) Sommaire / Contents Concerning the Origin of the Virgin of Humility Theme JOSEPH POLZER Le Problème de l’ornement chez Cellini : théorie, iconographie et humanisme GWENDOLYN TROTTEIN “The Man with Three Feet” in Pieter Bruegel the Elder’s Peasant Wedding CLAUDINE MAJZELS Images de Pompéi BRIGITTE DESROCHERS La Gloire du peintre de les errements de l’Academie. Des pistes pour l’étude des marines de Claude-Joseph Vernet au Salon NICOLAS GAUDREAU White Marble, Black Bodies and the Fear of the Invisible Negro: Signifying Blackness in Mid-Nineteenth-Century Neoclassical Sculpture CHARMAINE NELSON The Commodification of William Morris: Emotive Links in a Mass-Produced World SANDRA ALFOLDY Translating Music into Visual Form: The Influence of Music in the Work of Bertram Brooker GLENN WILLIAMS Des Canadiennes exposent au Riverside Museum en 1947. Ambiguïtés de la réception critique EDITH –ANNE PAGEOT Commentaire / Commentary Hommage à Raymond Klibansky / Tribute to Raymond Klibansky Carol Doyon Raymond Klibansky and the Warburg Institute Carol Gibson-Wood Raymond Klibansky et l’histoire de l’art du XXe siècle Jean-Philippe Uzel La Notion de Kulturwissenschaft Raymond Klibansky Livres / Books Greg M. Thomas, Art and Ecology in Nineteenth-Century France: The Landscapes of Théodore Rousseau - Reviewed by Nicole Dubreuil Barbara Fischer, Foodculture: Tasting Identities and Geographies of Art Reviewed by Martha Langford Deborah Cherry,Beyond the Frame: Feminism and Visual Culture Reviewed by Anne-Marie Link Christine Stevenson, Medicine and Magnificence: British Hospital and Asylum Architecture, 1600-1815 Reviewed by Sherry McKay Bernard Smith,Modernism’s History Reviewed by Ellen RAMSAY RACAR Vol XXVI, 1-2 1999 Postures et impostures de l'artiste moderne/Myths of the Modern Artist: Exposing the Pose Published in August 2002/Publié en aout 2002) Sous la direction de/Guest Editors - Nicole Dubreuil et Johanne Lamoureux, Université de Montréal Contents/Sommaire L'atelier institué en portrait de l'artiste moderne dans la littérature du XIXe siècle VERONIQUE RODRIGUEZ Vaporization and/or Centralization: On the (Self) Portraits of Manet and Degas VICTOR I. STOICHITA Artists and After-Lives HEATHER DAWKINS Renoir, susceptibilités épidermiques NICOLE DUBREUIL La mise en lumière des indépendants. Le mythe de l'artiste isolé chez les écrivains symbolistes français FRANÇOIS LUCBERT Paradigme ou modèle: Les héritiers de Van Gogh et les paradoxes de l'authenticité NATHALIE HEINICH "T'Other Emily:" Emily Carr, the Modern Woman Artist and Dilemmas of Gender GERTA MORAY Virtual (Art) History DONALD PREZIOSI In memoriam: Through Feminist Eyes: In Memory of Natalie Luckyj CYNTHIA HAMMOND LIVRES/BOOKS Nathalie Heinich Ce que l'art fait à la sociologie Reviewed by Francine Couture Kay Dian Kriz The Idea of the English Landscape Painter: Genius as Alibi in the Early Nineteenth Century - Reviewed by Adele Ernstrom Catherine M. Soussloff, The Absolute Artist: The Historiography of a Concept Reviewed by Allister Neher Kevin D. Murphy Memory and Modernity: Viollet-le-Duc at Vézelay Reviewed by Christopher Thomas Kalman P. Bland, The Artless Jew: Medieval and Modern Affirmations and Denials of the Visual Reviewed by Carol Zemel
RACAR - Vol XXV, 1-2 1998 Producing Women/Ces femme qui produisent..... Published in June 2001/publié en juin 2001 Guest Editors/Sous la direction de Janice Helland, Queen's University & Catherine MacKenzie, Concordia University Sommaire/Contents
Editorial Introduction/Mot des rédacteurs Elitekey: The Artistic Production of Mi’Kmaq Women JOAN ACLAND Troubling Presences: Body, Sound and Space in Installation Art of the mid - 1990s DEBORAH CHERRY Daughter in Exile: The Painting Space of Christiane Pflug CHRISTINE CONLEY The Industry of Motherhood: Spring Hurlbut’s “L’ascension” and Julia Margaret Cameron’s Wings CYNTHIA IMOGEN HAMMOND Place Really Does Matter: Marion Greenwood’s 1947 “China” Exhibition CATHERINE MACKENZIE How Many Artists Are There in the Family? The Career of Montreal Painter Regina Seiden (1897 - 1991) BARBARA MEADOWCROFT Madonna/Mother/Death and Child: Laura Muntz and the Representation of Maternity ELIZABETH MULLEY The Viewer as Producer: British and Canadian Feminists reading Prudence Heward’s “Women” LYNN PEARCE A Tale of Three Women: The Visual Arts in Canada/A Current Accounting JOYCE ZEMANS Livres/Books Ingrid Bachmann and Ruth Scheuing, eds Material Matters;The Art and Culture of Contemporary Textiles Reviewed by Elaine Cheasley Griselda Pollock, Differencing the Canon: Feminist Desire and the Writing of Arts’ Histories Reviewed by Shannon Hunter Hurtado Debra Pincus, The Tombs of the Doges of Venice Reviewed by John Osborne Katheryn Brush, The Shaping of Art History. Wilhelm Vöge, Adolph Goldschmidt, and the Study of Medieval Art Reviewed by Gwendolyn Trottein RACAR Vol XXIV, # 2 / 1997 Breaking the Boundaries: Intercultural Perspectives in Medieval Art /Entamer les frontières: perspectives interculturelles dans l'art du Moyen-Age Published in November 2000/publié en novembre 2000 Sommaire /Contents Norwegian Stave Churches and their Pagan Antecedents MICHAEL REED Food for Thought in the Souillac Pillar: Devouring Beasts, Pain and the Subversion of Heroic Codes of Violence CAROL KNICELY Shields of Faith: Apotropaic Images of the Virgin in Alfonso X's Cantigas de Santa Maria DEIRDRE JACKSON Mamluks and Venetians: An Intercultural Perspective on 14th Century Material Culture in the Mediterranean CATHERINE HARDING AND NANCY MICKLEWRIGHT Livres/Books Calvin B. Kendall, The Allegory of the Church: Romanesque Portals and their Verse Inscriptions Reviewed by James Bugslag Elizabeth ten Grotenhuis, Japanese Mandalas: Representation of Sacred Geography Reviewed by Gail F. Chin Gill Perry, ed., Gender and Art Reviewed by Catherine Harding Amelia Jones, Body Art: Performing the Subject Reviewed by Jayne Wark
RACAR Vol XXIV, # 1 / 1997 Published in December 1999/publié en decembre 1999 Sommaire/Contents The Santa Croce Drawings: A Re-examination GILLIAN MACKIE Images of Authority, Identity, Power: Facade Mosaic Decoration in Rome during the Later Middle Ages CATHERINE HARDING From Woodblock to Textile: Images of Elite Culture in the Blue-and-White Embroideries of Sichuan CATHERINE PAGANI Thinking Nation and Hybrid Belongings: The Aesthetics of Negotiation in Recent Media Art CHRISTINE ROSS Livres/Books Margot Coatts, ed., Pioneers of Modern Craft Reviewed by Sandra Alfoldy C. Jean Campbell, The Game of Courting and the Art of the Commune of San Gimignano 1290 – 1320 Reviewed by Louise Bourdua Clifford Brown and Guy Delmarcel, Tapestries for the Courts of Federico II, Ercole, and Ferrante Gonzaga, 1522 – 63 Reviewed by Stephen J. Campbell |